Paul Lender

About Left of Center Photography

A behind the scenes look at what goes in to making Left of Center Photographer one of the Cleveland areas most fun and interesting photographers.

BTS – The 2011 Christmas Card

December 9th, 2011

Just a quick post on what went in to making our 2011 Christmas card that can be seen over on the main site.

The idea came after our visit to the LEGO Kid Fest in Cleveland a month or so ago.  Every year these things seem to get more complex, but that’s part of the fun!  Carter and Paige had lots of little Christmas themed sets from the Advent calendars that they get each year from St Nick so making the scene was going to be easy.  I was a little more concerned with how I would get their faces on the LEGO people.

I started off by killing the ambient light and making sure that the back wall was going to be isolated. Then I threw in a rim – a Canon430EXII on a PW Flex with a 20 degree grid. I just wanted the light to hit the scene and not get anywhere else.

BTS - Rim

Then I brought in the key to light up the front of the scene. Just an small Wescott softbox with another 430EXII and Flex in it. That looked OK, but needed fill so I added a reflector at the bottom and basically ended up with a butterfly lighting setup.

BTS - All Lights

I thought about Photoshopping the snow in, but we had some fake snow around from our holiday decorations so I put the kids to work. While they made it snow, my wife held the 430EXII/Grid and I reached in and held the reflector.

BTS - Let it Snow!

Once I was able to grab a shot that didn’t look like a white out blizzard, I moved on to capturing our faces to use for the LEGO people. Another simple butterfly setup that was a little hot since I was going to drop out everything but the main feature – eyes, nose, mouth – I wasn’t concerned with capturing details of the skin. This is an AB800 with a Flex/AC9 attached to it.

BTS - Capturing Faces

Paige

I took everything into Photoshop and put it together. I tweaked converted the head shots to b/w, tweaked the levels to loose the skin tones and just kept the blacks. I then used layer blending multiply to overlay them on the yellow bricks. Messed around the the transform tool until I had everything the way I liked and presto! A finished card!

2011 Family Christmas Card

Is There a Difference?

March 2nd, 2011

Obvisiouly there is a difference, but which do you prefer?

Granted neither shot is some award winning children’s portrait, but this is about the differences in technology.

One image was shot using my 5D mkII as a RAW file and converted to grayscale using the LR preset. Nothing else was adjusted – straight out of camera to B/W. The other image was shot on Kodak TMax 400 film with a Mamiya 645 Pro TL medium format camera. It was scanned, and only touched up for dust.

Both were shot at ISO 400, 1/60, f/4.  The 5D image was created with a 100mm lens.  The Mamiya with a 150mm.  Pretty similar when you consider the crop factor for the negative sizes.

Do you prefer one over the other?

A or Bclick the picture for a larger version

Making a Christmas Card

December 13th, 2010

Christmas has rolled around again – just like it did last year.  Around our house that means decorations, cookies and an family photo Christmas card.  Well, more like an akward family photo…

This year the theme is Griswald.

Things got underway by acquiring an RV.  That right there is a recreational vehicle!

Then it was time to light it up.  This is a quick test with Carter to make sure the main light didn’t spill back on to the Recreational Vehicle.  In this case, that light is a AB800 with the basic 7″ or whatever it is reflector on it.

With that looking good, it was time to add the green glow of a recently emptied chemical toilet.  Just a Sigma 500 Super laying in the grass with a green gel on it.  I also put a Canon 580 EXII off the camera left, but didn’t trigger it for this shot.  It will light up the side of the recreational vehicle in the final shot.

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Out of camera you end up with this shot of Cousin Eddie and the family.  I wanted to go with bathrobes, but got vetoed.  Trust me, you are probably better off!

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And a little Lightroom adjustments to give it that cool winter night look.

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Photoshop in some snow flurries, add some text and Ho, Ho, Ho…it’s a Christmas card!

Merry Christmas!

If you’re really glutton for punishment you can watch this all that not too informative behind the scenes video.

Into Stebbin’s Gulch

November 14th, 2010

Portrait and wedding season is winding down and that means more time to head out and just shoot for the sake of shooting.

Last week I got invited to go on a hike into Stebbin’s Gulch at the Holden Arboretum. I’ve been there twice before but only in the dead of winter with Ian Adams. In fact, I’m going back in with him this coming January, but this was a chance to get in there when the water would still be running and to go on a longer hike. I also have new gear since my last visit. Back then I didn’t have the macro or wide angle lenses. In fact, I don’t even think I had my 5dmkii on the last visit.

It was a perfect day for a hike. The rain let up early this morning and it warmed up just enough to not be cold – even if you got a little wet!

Roots

Fall Contrast

Cascade

This waterfall is where the winter hike ends. Next time I’m here it will be nothing but ice and snow!

The Falls

I also took a Kodak Brownie in with me. It never really got sunny enough to use it since I had ISO 100 film in it. I did try a few long exposures of the waterfalls. I’ve got a few frames left on it to use and then I’ll find out how successful I was!

Macro Zack Arias

July 25th, 2010

I’m a big fan of Zack Arias.  Not just because of his photography, but because of his philosophy.  A few weeks back he took part in a three day workshop over at Creative Live (David DuChemin is on this weekend – check it out!) and ever since I’ve been wanting to shoot on white seemless.  That look is Zack’s – but hey – I can borrow it.

Unfortunately, I couldn’t find a person willing to put up with me.  That’s not true.  I didn’t try.  What I did find was John Cicada floating in Lucy’s pool this afternoon.  I knew there was a roll of paper in the kid’s craft stuff.  Time to shoot on white!

All of this was done with one light into a shoot through umbrella.  I set the exposure by manually setting the white to the point it would just blow out.  Then in I dropped the bug in right at the front edge of the light.

Cicada Profile

Rub My Belly!

John

The point was to work – to work with the light. I’ve been shooting with flash a lot lately and I’m growing quite fond of it. I find I have less to do in post when I pull out a flash and manually work my exposures.

I’d Walk 100mm for You

July 1st, 2010

Left of Center has become all about contemporary coverage of wedding and family portraits but that wasn’t how it started out.  Originally, I spend most of my time out in nature taking pictures just like these and hanging them in galleries all around town.  In fact, this is the first year since 2008 that I’ll have only displayed my work once and that was back in January.  I guess there is still plenty of time left to put up some shots so if anybody has some walls that need pictures send me an email!

As I started to focus more on weddings and portraits, the “fine art” work needed another place to live.  That was another one of the reasons that I created “Making LoC” – so shots like this would have a home.  If I can get on my business advice for photographers soapbox for a minute it would be to give this advice – only show what you want to be known for.  I don’t want potential portrait clients landing on the LoC frontpage and seeing a picture of a leaf.  While it may be a pretty cool leaf, that’s not what they are planning to hire me for. /soapbox

That said, all the images in this post are available for sale so drop me a line if you just have to have one.  ;)

These pictures are all from a walk I went on with my 100mm f/2.8 Macro lens.  I had about 20 minutes to kill before dinner and I couldn’t wander far.  All these shots are from a space that isn’t much bigger than your backyard.  One of the things that has made my “fine art” work better is my portrait work.  Why?  Because great pictures of people – families, babies, brides – are all about light and composition.  I think you tend to overlook how much influence you have over light by changing your composition.  A lot of these shots are back lit, or from the sides (rim light).  One is of a shadow!

So there – lesson of the day is to think about light and much as you think about composition.   I’ll shut-up now and post some pictures.

Me and My Shadow

Bark

Hanging onto Life

Clusters

Filtered

Yellow

Solar System Seeds

Editing

June 17th, 2010

People say to me all the time “How did you get that photo to look like that?”

Actually (doh!) nobody has ever said that, but I thought I’d do a little post on how I edit from straight out of camera to finished file.

So here is the shot of Carter and Paige sitting a on log down by Lake Erie as it came SOOC.  I leave a bit of padding so that I can grab an a variety of crops.  I learned early on that filling the frame is awesome, but sometimes it can leave you hanging when you get to the dreaded 8 x 10 crop.

That’s a wide shot with the Canon 20mm f/2.8.  It’s a new lens and I’m trying to shoot it as much as possible so that I get to know it.  I knew it would work great in this composition.  I also spiced things up with off camera flash.  I wanted to bring the sky in for the background and catch that little sliver of light just above the horizon.  Shooting without a flash would have left me with no choice but to blow the background out while getting a decent exposure on their faces.  In this case the light is a 580EX II just off camera right and triggered with Pocket Wizard Mini tt1 and Flex tt5 – but not on ETTL – I was running manual mode.

I already had the idea in my mind that these would end up as B/W shots, but I still went through the process in color.  All the editing is done in Light Room unless I need to swap out heads or something :)   First, I knocked the exposure down around a 1/2 stop, maybe 1/4.  Then I increased the contrast to the “strong” curve and finally I through in the LR “Punch” action.  I also warmed up the white balance.  Lastly, I cropped it to the little bit nicer composition.  Total edit time – about one minute.

Like I said, I had a vision of the shot being in B/W so I hit up the LR “High Contrast B/W” action and tweaked out the exposure setting the blacks to get my final image.  Really, this is a pretty solid color shot and I almost left it that way, but the beauty of digital is that you can play with a lot of options.

Behind the Scenes – Sports Portraits

June 4th, 2010

It’s a summer tradition, or fall, depending on what sport your child plays.  Opening Day rolls around and it’s team photo time.  Usually you end up with something looking like this or maybe this.

Really there is no reason you shouldn’t have this…

All Star - Baseball

All Star - Softball

All Star - Baseball

And it’s just a simple three light setup. I’m sure the photographer shooting your league has the lights. I know ours does. He sets up four so he can make boring portraits twice as fast on two different backdrops. Really, the setup I used above (and shown below) can plug and chug kids out just as fast as those two lights set up to give that flat, traditional look do.

Sports Portrait Setup

I used to medium/small umbrellas and a large softbox, but any three lights will do. The quality of the rim will change if you go with no modifiers or larger modifiers. Same for the fill with the front. Once the lights are in place, it’s just a matter of firing away.

If I had more time, I would have gone with a grey background, but 9PM at night, after two games, and the mosquitoes beginning to eat us alive I took what I could get.  Grey would have helped out with a little more separation around the tops of their heads

Oh yeah, so why don’t I take the team photos? Hmmmm…..

 

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